Jean ShepherdÕs beloved tale of Christmas past celebrates the extraordinary power of everyday lives. Phillip GrecianÕs stage version of Ò A Christmas StoryÓ hits all the high points of the memorable film. But itÕs clearly Jack NearyÕs direction that keeps this engine running at the Stoneham Theatre...ItÕs Neary who is the star of this show. The stage version may not have the intimacy of the film, but Neary keeps the action moving and limits th actorsÕ range of movement so we feel were inside this zany but very loving home. TERRY BYRNE, THE BOSTON HERALD
Staging 'The Turn of the Screw' is a bold
undertaking. Making people laugh in theater is difficult enough (and Neary has
proved repeatedly that he can do that) - making them feel genuinely spooked is
even harder. This production pulls it off with an evening's worth of startles,
spine-tingles and a climax of absolute horror.
Be prepared to be scared. THE DAILY HAMPSHIRE GAZETTE
Foothills Theatre,
Worcester, MA
ÒSleuthÓ is a play fecund with sly wit and deadly
motivation, engineered to showcase the elegantly creative perversity human
nature is capable of, a psychological mind game that at its fundamentally
British core stokes the clashing fires between upper and working class mores,
as represented respectively by Andrew Wyke and Milo Tindle. Jack Neary, who has
directed several Foothills Theatre Company productions, has guided Phil
Kilbourne (Andrew) and Chip Phillips (Milo) skillfully through the deceitful
thickets of Anthony ShafferÕs work in FoothillsÕ latest offeringÉBoth actors keep the dialogue bouncing back and forth like
a well-played tennis match.
THE WORCESTER TELEGRAM
"Proof - one of the finest productions
ever staged by New Century Theatre - sailed through it at last Thursday's
opening night. Director Jack Neary's production of the prize-winning drama
about mathematics and mental illness - set in a leafy back yard in Chicago -
looks and smells like life, not a well-meaning dilution of it. Audiences are
leaving the theater convinced by this "Proof." The production is the
latest evidence that New Century Theatre stands in the company of the best
regional theaters in the country. I feel duty-bound to warn people that it runs
only through Sunday. See it or be sorry.Ó
LARRY PARNASS, DAILY HAMPSHIRE GAZETTE
"How
the Other Half Loves,
by Alan Ayckbourn, is the kind of device-on-its-sleeve play that elicits
sniggering even as it sits on a shelf - at least from anyone with a pulse of
humor. Director Jack Neary and the Northampton company's crackerjack cast work
madly, and successfully, to draw all they can from this tale of a marital lie's
half-life. Neary and his cast nailed it perfectly in the show I caught Tuesday
night...They made the difficult look easy, putting hospital corners on these
unkempt beds. For that, thank the
madness of the situation in this comedy - and the cast's exquisitely timed
delivery. You can set your watch by this play's laughs. They're as dependable
as Big Ben. Ò LARRY PARNASS, DAILY
HAMPSHIRE GAZETTE
ÒDirector
Jack Neary has clearly encouraged his enchanting cast to imbue this chamber
piece with a thorough sense of ensemble. Every role is played with grace and
conviction, and the even-handed acting makes each character simultaneously
sympathetic and suspect.Ó LYN
LEGENDRE, NEWBURYPORT DAILY NEWS, 2003
The Lyric Stage Company of
Boston
ÒBEYOND
BELIEF is a poignant, playful mix of sex and religion, alternately hilarious,
preposterous and tragicÉwith three outstanding actresses in the roles of Gert,
Alma and Marjorie, NearyÕs clever dialogue and skewed wit pack the maximum
punch.Ó
Ò(Colton) breaks everyoneÕs heart when, in the final playlet, she recounts in excruciating detail her personal bereavement as the results of a priestÕs sexual transgressionsÉThis vignette and ColtonÕs haunting performance take the breath away.Ó
ÒNeary should craft a few more porch scenes for the three ladiesÑcertainly there is plenty of sexual absurdity out there to keep the trio baffled to the end of their days.Ó ELLEN PFIEFER, THE BOSTON GLOBE
ÒNearyÕs
direction is sharp throughout, and he has found an ideal trio of local
actresses for his Golden Girls: Steinbach bakes a delightfully tart Gert, McMahon
is a master of the deadpan expression as Marjorie, and Colton brings pathos to
what easily could have been the most stereotypical character.Ó ROBERT NESTI,
THE BOSTON HERALD
ÒNeary
has created a perfect mix for his cutting laceration of blind-faith, religious
conservatism. The four Gert, Alma, Marjorie playlets showcase some of the best
comedy/parody writing, direction and performances I've experienced in my 40+
years in the theatre.Ó LARRY
BLUMSACK, THEATRE NEW ENGLAND.COM
The Lyric Stage Company of
Boston
ÒThe Lyric Stage Company of Boston had the good idea of engaging Jack Neary, actor, playwright and frequent director at the Worcester Foothills Theatre, to stage LEND ME A TENOR. His production is like demented clockwork, everything whirring and spinning in perfect synchronicity in fast forwardÉDirector Neary moves these stereotypes around the stage like a soprano singing a mad scene: each note is perfectly placed and follows the others in dazzling cascade.Ó ELLEN PFEIFER, THE BOSTON PHOENIX
ÒReplete with slamming doors, mistaken identities, and conjugal conflict, Ken LudwigÕs LEND ME A TENOR has all the makings of a good farce. In any comedy, however, these devices are mere clichŽs if the actors and director donÕt have a precise sense of timing and a penchant for farcical exaggeration. They Lyric ensemble fortunately has both in its punchy production, directed by Jack Neary. The production ends with a farcical flourish that calls for razor-sharp timing from the entire cast. ThereÕs a palpable sense of camaraderie hereÉLEND ME A TENOR brings the LyricÕs laudable season to a comic close.Ó RYAN MCKITTRICK, THE BOSTON GLOBE
The spirit of Feydeau, with a hint of the Marx Brothers, is alive and kicking up its heels in LEND ME A TENOR on the Lyric Stage downtown. Guest Director Jack Neary marshals a crackerjack company of local comedians, and his direction doesnÕt miss a trick of the trade. This show gets gales of laughter and earned the standing OÑafter the second finale!Ñthat greeted SundayÕs press opening. TENOR is a blockbuster wrap up for a really great season at the Lyric.Ó G.L. HORTON AND WILL STACKMAN, THEATRE MIRROR
ÒDirector Jack Neary has choreographed his company at the Lyric Stage to fluid perfectionÉNeary delights in the physical slapstick routinesÉHis obvious admiration for the Marx Brothers make these scenes pure joyÉthe direction and the performances in this LEND ME A TENOR are pristine.Ó TERRY BYRNE, THE BOSTON HERALD
Foothills Theatre, Worcester
ÒNearyÕs CHRISTMAS CAROL is an instant classic. He fully realizes the emotional epiphany of the storyÉand has succeeded in capturing the essence of DickensÕ story, managing to royally entertain us in the bargain.Ó PAUL KOLAS, WORCESTER TELEGRAM-GAZETTE
ÒFoothills TheatreÕs current production of Charles DickensÕ A CHRISTMAS CAROL comes as close to embodying the holidayÕs true spirit as anything youÕre likely to find elsewhere. Director Jack Neary has wisely chosen to stick closely to the original in his new adaptationÉA welcome addition is the introduction of humorÑthere are some wonderful and unexpected comic touches.Ó MISSY NICHOLSON, WORCESTER MAGAZINE
Foothills Theatre, Worcester
ÒDirector Jack Neary has assembled a brilliant cast for this productionÉan exceptionally well-acted and visually appealing staging of what stands up after fifty-plus years as a grabber of a story.Ó MISSY NICHOLSON, WORCESTER MAGAZINE
ÒUnder Jack NearyÕs superb direction, this production of DIAL M FOR MURDER makes hay of the period elements by handling them with great polish and drawing obvious links to some of HitchcockÕs more famous thrillers. While part of the pleasure of this show is its suspense, thereÕs also plenty of enjoyment in how the conventions of the genre are handledÉThe crispness of the performances and freshness of the story make this a delightful evening for anyone who enjoys a good thriller or, for that matter, anyone who believes thrillers donÕt have that much pleasure to offer.Ó DAVID BROOKS ANDREWS, METRO WEST DAILY
ÒDIAL ME FOR MURDER was given an elegant and stylish opening by the Foothills Theatre Company on SundayÉDirector Jack Neary seems to have mined all he can of the playful, droll humor in Frederick KnottÕs drama.Ó PAUL KOLAS, WORCSTER TELEGRAM-GAZETTE
New Century Theatre, Northampton
ÒNCTÕs ÔThe Importance of Being EarnestÕ crackles with Wilde witÉBack in 1991, director Jack Neary writes in his program note, he and Sam Rush set out to provide Ògood plays performed well for smart audiences.Ó ThatÕs the sort of fast and tight phrasing author Neary builds into his own plays. For the rest of this week, he continues as a director to use the brilliant language in WildeÕs last playÑand a cast as nimble as quicksilverÑto spritz audiences with witÉThe main pleasure in this productionÑand it is a big one, well-suited to summerÑis to cherry pick fabulous lines. NearyÕs cast has polished them until they gleamÉNearyÕs cast delivers whatÕs demandedÑa big show performed in superb fashion.Ó LARRY PARNASS, DAILY HAMPSHIRE GAZETTE
Foothills Theatre,
Worcester
ÒFoothills TheatreÕs current production of TEN LITTLE INDIANS does Christie proud. Tightly paced and flawlessly acted under the direction of Jack Neary, the show is a delightful way to escape winterÕs chill and a deserving mainstay of WorcesterÕs cultural scene.Ó MISSY NICHOLSON, WORCESTER MAGAZINE,
New Century Theatre,
Northampton
ÒLIGHT UP THE SKY sparkles for NCTÉNearyÕs production revives a brightness and a lightness thatÕs perfect for this ensembleÉGetting people to laugh at a work this dated isnÕt a matter of punching the lines. NearyÕs cast immediately builds the goodwill the audience needs to take this in the right spiritÉWhat tickles the fancy, all the way through, isnÕt some ponderously allegorical drama that may or may not be any good. ItÕs funny. We laugh.Ó LARRY PARNASS, DAILY HAMPSHIRE GAZETTE
ÒDirected at breakneck speed by Jack Neary, New Century TheatreÕs production of Moss hartÕs LIGHT UP THE SKY is an instant success.Ó C.L. BLACKE, SPRINGFIELD JOURNAL
Foothills Theatre, Worcester
ÒThe more the web gets tangled and characters appear confused in the Worcester Foothills Theatre Company production of DONÕT DRESS FOR DINNER, the more the audience is amused. High amused in the case of this hilarious rendition of the classic British sex farceÉImpeccable comic acting by an excellent cast and perfect pacing as overseen by director Jack Neary keeps the web spinning and the laughs comingÉ.the Foothills cast exudes the professionalism of experienced actors who make the whole venture come across as absolutely effortless.Ó RICHARD DUCKETT, WORCESTER TELEGRAM-GAZETTE
ÒLaughter is the best medicine and itÕs served in roars at the Foothills TheatreÕs presentation of DONÕT DRESS FOR DINNER. This sexual farce is expertly directed by Jack Neary. The lines come so fast and furious that timing is everything and the actors deliver in superb fashion.Ó ALICE MARTIN, THE PATRIOT
ÒAt Foothills, director Jack Neary oversees a bright and glittering production of DONÕT DRESS FOR DINNERÉan encouraging effort, especially in terms of polish and finessesÉfrankly hilarious.Ó SALLY CRAGIN, THE BOSTON GLOBE
New Century Theatre
ÒLetÕs get one thing straight right away: THE BOYS NEXT DOOR is a very funny play. ItÕs crammed with hilariously ludicrous situations and peopled by disarmingly off-center characters. ItÕs staged here by a master of comic theater with a solid cast.Ó CHRIS ROHMANN, THE PIONEER VALLEY ADVOCATE.
Summer Theatre, Mount
Holyoke College
ÒDONÕT DRESS FOR DINNER,Ó now playing at the Summer Theatre at Mount Holyoke College and directed by Jack Neary, offers the actors plenty of comic potential, and they make the most of it. Credit director Neary with pushing the pace. ThereÕs no letup from opening to concluding moment. DONÕT DRESS FOR DINNER is impossible to resist.Ó FRED SOKOL, SPRINGFIELD MORNING UNION
New Century Theatre,
Northampton
ÒAN INSPECTOR CALLS is the first mystery offered by New Century Theatre, now in its seventh season. ItÕs a strong beginning. If you are a fan of mysteries you will appreciate AN INSPECTOR CALLSÕ delicate reworking of the classic formula. Director Jack Neary and his cast land on their feet by making clear and honest choices.Ó KARA MORIN, VALLEY ADVOCATE (INSPECTOR CALLS)
ÒCrafting a gripping mystery for the stage demands more than layering in enough surprises. Thos surprises come rapidly enough in AN INSPECTOR CALLS, and are depicted with great richness by Jack NearyÕs cast. The mystery, played out sensationally at New Century Theatre, manages to enthrall.Ó LARRY PARNASS, DAILY HAMPSHIRE GAZETTE (INSPECTOR)
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